Wednesday, January 13, 2016

Guest Post - WORKING IN THE SALT MINES OF POLAND LEAVING BEHIND........

World Youth Day in Poland brings this to mind.  We don't know if the kids would be close to this area, but it's a good history lesson about our Pope Saint John Paul II's homeland.



Deep underground in Poland lies something remarkable but little known outside Eastern Europe .
For centuries, miners have extracted salt there, but left behind things quite startling and unique.
Take a look at the most unusual salt mine in the world.




From the outside, Wieliczka Salt Mine doesn’t look extraordinary. It looks extremely well kept for a place that
hasn’t minded any salt for over ten years but apart from that it looks ordinary. However, over two hundred
meters below ground it holds an astonishing secret. This is the salt mine that became an art gallery, cathedral
and underground lake.


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Description:
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Situated in the Krakow area, Wieliczka is a small town of close to twenty thousand inhabitants. It was founded
in the twelfth century by a local Duke to mine the rich deposits of salt that lie beneath. Until 1996 it did just
that but the generations of miners did more than just extract. They left behind them a breathtaking record of
their time underground in the shape of statues of mythic, historical and religious figures. They even created
their own chapels in which to pray. Perhaps their most astonishing legacy is the huge underground cathedral
they left behind for posterity.



 




It may feel like you are in the middle of a Jules Verne adventure as you descend in to the depths of the world.
After a one hundred and fifty meter climb down wooden stairs the visitor to the salt mine will see some
amazing sites. About the most astounding in terms of its sheer size and audacity is the Chapel of Saint Kinga.
The Polish people have for many centuries been devout Catholics and this was more than just a long term
hobby to relieve the boredom of being underground. This was an act of worship.







Amazingly, even the chandeliers in the cathedral are made of salt. It was not simply hewn from the ground
and then thrown together; however, the process is rather more painstaking for the lighting. After extraction
the rock salt was first of all dissolved. It was then reconstituted with the impurities taken out so that it
achieved a glass-like finish. The chandeliers are what many visitors think the rest of the cavernous mine will
be like as they have a picture in their minds of salt as they would sprinkle on their meals! However, the rock
salt occurs naturally in different shades of grey (something like you would expect granite to look like ) ...








Still, that doesn’t stop well over one million visitors (mainly from Poland and its eastern European neighbours )
from visiting the mine to see, amongst other things, how salt was mined in the past.




For safety reasons less than one percent of the mine is open to visitors, but even that is still almost four
kilometres in length – more than enough to weary the average tourist after an hour or two. The mine was
closed for two reasons – the low price of salt on the world market made it too expensive to extract here.
Also, the mine was slowly flooding – another reason why visitors are restricted to certain areas only.




The religious carvings are, in reality, what draw many to this mine – as much for their amazing verisimilitude
as for their Christian aesthetics. The above shows Jesus appearing to the apostles after the crucifixion. He
shows the doubter, Saint Thomas , the wounds on his wrists. 


Another remarkable carving, this time a take on The Last Supper. The work and patience that must have
gone into the creation of these sculptures is extraordinary. One wonders what the miners would have thought
of their work going on general display? They came to be quite used to it, in fact, even during the mine’s
busiest period in the nineteenth century. The cream of Europe ’s thinkers visited the site – you can still see
many of their names in the old visitor’s books on display.







These reliefs are perhaps among some of the most iconographic works of Christian folk art in the world and
really do deserve to be shown. It comes as little surprise to learn that the mine was placed on the original list
of UNESCO World Heritage Sites back in 1978.











Not all of the work is relief-based. There are many life sized statues that must have taken a considerable
amount of time – months, years – to create. Within the confines of the mine there is also much to be learned
about the miners from the machinery and tools that they used – many of which are on display and are
centuries old. A catastrophic flood in 1992 dealt the last blow to commercial salt mining in the area and now
the mine functions purely as a tourist attraction. Brine is, however, still extracted from the mine – and then
evaporated to produce some salt, but hardly on the ancient scale. If this was not done, then the mines would
soon become flooded once again.






Not all of the statues have a religious or symbolic imagery attached to them. The miners had a sense of humour,
after all! Here can be seen their own take on the legend of Snow White and the Seven Dwarves. The intricately
carved dwarves must have seemed to some of the miners a kind of ironic depiction of their own work.



The miners even threw in a dragon for good measure! Certainly, they may have whistled while they did it but
the conditions in the salt mine were far from comfortable and the hours were long – the fact that it was
subterranean could hardly have added to the excitement of going to work each morning.






To cap it all there is even an underground lake, lit by subdued electricity and candles. This is perhaps where
the old legends of lakes to the underworld and Catholic imagery of the saints work together to best leave a
lasting impression of the mine.

Monday, January 4, 2016

Chalking the Door: An Epiphany House Blessing 2016

Epiphany.ChalkBlessing2016
Every year the Carmelite Pre-novitiate Community at Carith House in Chicago on the Feast of the Epiphany blesses their home.

We invite you to adopt this custom in your family. The family gathers to ask God’s blessing on their home and on those who live in or visit the home. It is an invitation for Jesus to be a daily guest in our home, our comings and goings, our conversations, our work and play, our joys and sorrows.
A traditional way of doing this is to use chalk to write above the home’s entrance, 20 + C + M + B + 16. The letters C, M, B have two meanings. They are the initials of the traditional names of the three magi: Caspar, Melchior, and Balthazar. They also abbreviate the Latin words Christus mansionem benedicat, “May Christ bless the house.” The “+” signs represent the cross and 2016 is the year.

Blessing the Chalk (VOCAL says, any chalk will do, preferably white)

V. Our help is the name of the Lord:
R. The maker of heaven and earth.
V. The Lord shall watch over your going out and your coming in:
R. From this time forth for evermore.

Let us pray.
Loving God, bless this chalk which you have created, that it may be helpful to your people; and grant that through the invocation of your most Holy Name that we who use it in faith to write upon the door of our home the names of your holy ones Caspar, Melchior, and Balthazar, may receive health of body and protection of soul for all who dwell in or visit our home; through Jesus Christ our Lord. Amen.

Instructions for Blessing the Home

Using the blessed chalk mark the lintel of your front door (or front porch step) as follows:
20 + C + M + B + 16 while saying:
The three Wise Men, Caspar, Melchior, and Balthazar followed the star of God’s Son who became human two thousand and fifteen years ago. May Christ bless our home and remain with us throughout the new year. Amen.

Then offer the following prayer: Visit, O blessed Lord, this home with the gladness of your presence. Bless all who live or visit here with the gift of your love; and grant that we may manifest your love to each other and to all whose lives we touch. May we grow in grace and in the knowledge and love of you; guide, comfort, and strengthen us in peace, O Jesus Christ, now and forever. Amen

“Chalking the door” is a way to celebrate and literally mark the occasion of the Epiphany and God’s blessing of our lives and home. With time the chalk will fade. As it does we let the meaning of the symbols written sink into the depths of our heart and be manifest in our words and actions the Latin words, Christus mansionem benedictat, “May Christ bless the house.”


Daryl Moresco, OCarm.
Daryl Moresco, OCarm.
Br. Daryl Moresco OCarm. is the Director of Vocations and the Pre-Novitiate formation program for the Province of the Most Pure Heart of Mary (Chicago) Province.

Wednesday, December 30, 2015

Use it or Lose it!!! For 2016 Ballot Initiative to End Oregon Taxpayers to Pay for Abortion.


Defend and Protect LIFE -- Take Action Today

 
Please use your Political Tax Credit to eliminate abortion in Oregon.  You know that Oregon is the ONLY state in the country without any laws to protect pre-born children from abortion.  BUT we do have a Political Tax Credit other states DON'T.
Here are the link for Oregon Life United who is concentrating solely on eliminating Oregon Taxes to fund abortions.  Last year they were only 19,000 signatures away from putting this on the November 2015 ballot. 
Catholics were not encouraged to sign up for this worthwhile measure.  This year we should have more help from the Archdiocese since things are changing at the Archdpdx. 
Here is the link for this organization that has many people you would recognize fondly.  Please don't let this opportunity to spend NO money and only "funnel" $50 for a single filer and $100 filing jointly to fight Planned Parenthood and the abortion industry in Oregon with our tax money.  At least some of your money will be used to save babies.
Happy New Year 2016.  God Bless you all.

Wednesday, December 23, 2015

Sunday, December 20, 2015

Twelve Days of Christmas Explanation Revisited. Dec. 25 - Jan, 6th Epiphany

Here is an explanation of the song we all love at this time of year. No matter what challenges the "world" gives Catholics, we find a way to remember the - REASON FOR THE SEASON

The Twelve Days of Christmas - December 25 until January 6th Epiphany.

Catholics in England during the period 1558 to 1829 were prohibited by law to practice their faith either in public or private. It was illegal to be Catholic until Parliament finally emancipated Catholics in England in 1829.

"The Twelve Days of Christmas"
was written in England as one of the "catechism songs" to help young Catholics learn the basics of their faith. In short, it was a coded-message, a memory aid. Since the song sounded like rhyming nonsense, young Catholics could sing the song without fear of imprisonment. The authorities would not know that it was a religious song.

"The 12 Days of Christmas
" is in a sense an allegory. Each of the items in the song represents something significant to the"The 12 Days of Christmas" is in a sense an allegory. Each of the items in the song represents something significant to the teachings of the Catholic faith. The hidden meaning of each gift was designed to help Catholic children learn their faith. The better acquainted one is with the Bible, the more these interpretations have significance.

The song goes, "On the first day of Christmas my true love gave to me…"
The "true love" mentioned in the song doesn’t refer to an earthly suitor, but it refers to God Himself. The "me" who receives the presents refers to every baptized person. i.e. the Church.
 1st Day: The partridge in a pear tree is Christ Jesus upon the Cross. In the song, Christ is symbolically presented as a mother partridge because she would feign injury to decoy a predator away from her nestlings. She was even willing to die for them.
The tree is the symbol of the fall of the human race through the sin of Adam and Eve. It is also the symbol of its redemption by Jesus Christ on the tree of the Cross.

2nd Day: The "two turtle doves" refers to the Old and New Testaments.


3rd Day: The "three French hens" stand for faith, hope and love—the three gifts of the Spirit that abide (1 Corinthians 13).

4th Day: The "four calling birds" refers to the four evangelists who wrote the Gospels—Matthew, Mark, Luke and John—which sing the song of salvation through Jesus Christ.

5th Day: The "five golden rings" represents the first five books of the Bible, also called the Jewish Torah: Genesis, Exodus, Leviticus, Numbers and Deuteronomy.

6th Day: The "six geese a-laying" is the six days of creation.

7th Day: The "seven swans a-swimming" refers to the seven gifts of the Holy Spirit: wisdom, understanding, counsel, fortitude, knowledge, piety and fear of the Lord.

8th Day: The "eight maids a milking " reminded children of the eight beatitudes listed in the Sermon on the Mount.

9th Day: The "nine ladies dancing" were the nine fruits of the Holy Spirit found in Galatians 5:22-23: love, joy, peace, patience, kindness, goodness, faithfulness, gentleness and self control.

10th Day: The "ten lords a-leaping" represents the Ten Commandments

11th Day: The "eleven pipers piping" refers to the eleven faithful apostles.

12th Day: The ‘twelve drummers drumming" were the twelve points of belief expressed in the Apostles’ Creed: belief in God the Father, the Son and the Holy Spirit, that Jesus Christ was born of the Virgin Mary, mad"e man, crucified, died and arose on the third day, that he sits at the right hand of the father and will come again, the resurrection of the dead and life everlasting.

This is the time of martyrs too, St. Stephen and the Holy Innocents. May 2011 be a year when we remember those who have suffered real losses for Christ. Let us continue to bring real peace and justice to earth by valuing the sanctity of life.

Merry Christmas and Happy New Year to you and yours,

"The more we are proud that the Bethlehem story is plain enough to be understood by the shepherds, and almost by the sheep, the more do we let ourselves go, in dark and gorgeous imaginative frescoes or pageants about the mystery and majesty of the Three Magian Kings." - Christendom in Dublin, Ch.3 by GK Chesterton